This film was chosen as Films of Resistance's pick for the Lebanese season, to highlight the way Lebanese and Palestinian communities are interconnected. It will be preceded by an introduction by Dr Kareem Estefan.

In this award-winning documentary, directors Masri and Chamoun focus on the women who played a crucial role in fighting the Israeli invasion of southern Lebanon. Preserving their stories on camera, Wild Flowers: Women of South Lebanon is a poignant documentary about courage, resistance, and hope.

Mai Masri is one of the pioneers of Palestinian documentary, with most of her work focusing on the linked histories of Lebanon and Palestine. Her films have been screened internationally and won over 90 awards. She is mostly recognised for her poetic and humanistic approach, centering women and children in her stories. Mai worked closely with her late husband Lebanese filmmaker Jean Chamoun and earned international acclaim with her films, including Children of Fire, Woman for Her Time, Children of Shatila, and Beirut Diaries.

Films of Resistance are a collective offering a decentralised screening and fundraising resource. All funds raised through their screenings are reinvested into Palestinian filmmaking.

The ticket price will include a cup of Palestinian sage tea, courtesy of Kaf for Palestine. There will be a chance to purchase prints and tote bags to raise funds for the cultural centres in Palestine.

Alfonso Cuarón (Gravity, Roma) beautifulyl adaptated this novel by Frances Hodgson Burnett (The Secret Garden). Sara Crewe is forced to leave her home in India as the outbreak of World War I draws her father into the military. She is sent to a New York boarding school and clashes with the strict headmistress who won't tolerate the little girl's big imagination.

On Sunday mornings our Family Screenings are followed by a free activity for Children.

The screening is Pay What You Can, which means you’re free to pay as much or as little as you can afford. By paying for a ticket, you will enable us to keep offering Pay What You Can screenings to families struggling with the cost of living. Thank you.

This film was proposed by our member Vijay Kumar, who writes: 'Because it is a forgotten, gentler counterpoint sandwiched between the the toxicity and dystopia of Mean Streets and Taxi Driver that deserves revisiting, both to highlight Scorsese’s range at that stage, and to celebrate the performances of Burstyn, Ladd and Kristofferson..'

After her husband dies, Alice (Ellen Burstyn) and her son, Tommy, leave their small New Mexico town for California, where Alice hopes to make it as a singer. Money problems force them to settle in Arizona instead, where Alice takes a job as waitress in a small diner. She intends to stay in Arizona just long enough to make the money needed to head back out on the road, but her plans change when she begins to fall for a rancher named David (Kris Kristofferson).

Please note, the screening on Tuesday 3 June is our free members' screening, while the one on Thursday 12 June is a regular screening, which is open to the general public.

The film is set in Southern Lebanon, July 2006, during what is known as Israel’s “Second Lebanon War", a month of fighting characterised mostly by Israeli aerial bombardment of Lebanon, and rocket attacks from the Shia militia Hizballah on northern Israel in response.

During a 24h ceasefire, Marwan heads out in search of his father who refused to leave his Southern village and leaves his wife Rana preparing alone their immigration to Canada. Marwan finds no traces of his father and the ceasefire is quickly broken, forcing him to take shelter in Najib’s house, his father’s friend. Marwan finds himself trapped under the rain of bombs with Najib and a group of elders, friends of his father. Tension rises inside and outside of the house. Suddenly, a group of Israeli soldiers enter the first floor...

Ghossein worked around his tight budget but having all the action take place over three days, in one location, with a creative and imaginative use of sound design. The Arabic title of the film is "the wall of sound". We never see the Israeli soldiers, we only hear snippets of conversation and creaking floorboards. A tense and well-crafted thriller, the film paints an engaging and humanising portrait of the people of Southern Lebanon, especially in light of the current situation.

The film won three awards, (Audience, Jury and technical prize) at the Venice Film Festival International Critics' Week.

The screening on 2 July will be preceded by an introduction to give some context to the story.

The screening on 30 June will be a members' event, with live music and a Q&A. Keep an eye out for our announcement.

To celebrate our new season of New Lebanese Cinema, on Monday 30 June we're hosting a special evening for members featuring Lebanese wine & nibbles, as well as a live violin performance.

Join us in the Atrium Bar for drinks from 18:30 onwards. Your ticket will include a complimentary glass of Lebanese St Thomas white wine or Wardy red wine, courtesy of Lebanese Fine Wines, and a packet of iconic Al Rifai mixed nuts.

At 19:00 we'll head into the screen to enjoy a live performance by violinist Leyth Elmani, who is a Lebanese-Palestinian violinist currently studying at the Royal College of Music. The performance will be followed by a screening of the critically acclaimed All This Victory, after which we'll be digitally joined by the film's director Ahmad Ghossein for a Q&A.

Tickets for the event are £18.50 each, and members can purchase up to 2, meaning you're welcome to bring a friend along, even if they're not a member of the cinema. Tickets include a seat for the music performance and screening, as well as a complimentary glass of wine (or soft drink equivalent) and a packet of mixed nuts. Unfortunately, we are unable to offer any substitutes for these.

About All This Victory:

The film is set in Southern Lebanon, July 2006, during what is known as Israel’s 'Second Lebanon War'. This month of fighting was characterised mostly by Israeli aerial bombardment of Lebanon, and rocket attacks from the Shia militia Hizballah on northern Israel in response.

During a 24-hour ceasefire, Marwan heads out in search of his father, who refused to leave his Southern village, and leaves his wife Rana preparing alone for their immigration to Canada. Marwan finds no traces of his father and the ceasefire is quickly broken, forcing him to take shelter in his father's friend Najib’s house. Marwan finds himself trapped under the rain of bombs with Najib and a group of elders. With tension rising inside and outside of the house, a group of Israeli soldiers suddenly enter the first floor...

Ghossein worked around his tight budget by having all the action take place over three days, in one location, employing creative and imaginative sound design. The Arabic title of the film is 'The Wall of Sound'. We never see the Israeli soldiers, we only hear snippets of conversation and creaking floorboards. A tense and well-crafted thriller, the film paints an engaging and humanising portrait of the people of Southern Lebanon, especially in light of the current situation.

The film won three awards (Audience, Jury and Technical prize) at the Venice Film Festival International Critics' Week.

Please note that the Atrium Bar and Screen 3 may not yet have step-free access whilst we wait for our platform lift to be installed.

All That Is Solid: the third Animate OPEN sets out to celebrate, subvert and confound expectations of what animation can be.

The fifteen short films, selected from an international open call, are from Austria, Belgium, England, Germany, Hong Kong, India, Scotland, South Korea, the USA and Wales. They explore subjects that range from intimate, personal stories to wider geopolitical events, including the COVID-19 pandemic, the invasion of Ukraine, and the climate crisis. They consider the places we call home, and our need to connect with other humans, animals and nature. The diverse animation techniques represented include photo cut-out, Risograph, kitchen lithography, timelapse, charcoal, pinscreen, 3D, stop motion, and hand-drawn on paper.

HoH captions and AD are available

Running Order:

High Street Repeat, Laurie Hill and Osbert Parker, 4 mins 25 secs, 2023, UK

In The Garden: Giggles In The Greenery, Dominica Harrison, 4 mins 34 secs, 2024, UK

Silent Panorama, Nicolas Piret, 5 mins 9 secs, 2024, Belgium

NATURA 2040, Hantao Li, 11 mins 5 secs, 2024, UK

TWENTYTИƎWT, Max Hattler, 7 mins, 2023, Hong Kong        

Dull Spots of Greenish Colours, Sasha Svirsky, 10 mins 32 secs, 2024, Germany

Raining through my bones,Meghana Bisineer, 5 mins, 2022, USA

Noggin, Case Jernigan, 7 mins 10 secs, 2024, USA

Liminal Roots, Aliyah Harfoot, 4 mins 20 secs, 2024, UK

Contradiction of Emptiness, Irina Rubina, 3 mins 6 secs, 2024, Germany        

FLORE, Emily Sasmor, 2 mins 12 secs, 2022, USA

Pigeon Holding, Olivia Dugdale, 1 min 41 secs, 2023, UK

I Am a Horse, Chaerin Im, 7 mins 58 secs, 2022, South Korea

Adulting, James Duesing, 8 mins 10 secs, 2024, USA

Mokosh, Anna Dudko, 4 mins 45 secs, 2023, Austria

Animate champions experimentation in animation. Our mission is to engage the public with the creativity and craft of the artform. We do this through supporting artists to create thought provoking projects, engaging with audiences across digital and physical contexts, and promoting critical debate.

animateprojects.org

Some of the films deal with issues that may be sensitive or distressing to some viewers.

Content includes:

Depictions of emotional distress, intense situations, nudity, racism, and COVID-19 lockdown; discussion of trauma, mental health, depression, anxiety, war, torture, death, illness, sex, animal injury and the Ukraine invasion.

Some films include flashing images or stroboscopic effects, intense soundtracks, sudden loud sounds and startling visual effects.

Viewer discretion is advised.

Arze will be premiering in the UK on 13 June here at the Garden Cinema. The screening will be followed by a zoom Q&A with director Mira Shaib, hosted by the Arab Film Club's Sarah Agha.

In Mira Shaib's debut feature, struggling single mum Arzé runs a small fatayer business from her home. As demand picks up, she buys her son a scooter. However, when the scooter is stolen, Arzé, frustrated by the lack of police action, takes matters into her own hands and journeys across Beirut to retrieve it, dragging her son Kinan along with her, navigating the city’s web of sectarianism - constantly adapting her attire and accent as she visits in turn a Sunni restaurateur, a Maronite business, a Palestinian camp, a Shia barber...

Although lighthearted and laugh-out-loud funny in parts, Arze is richly textured film, uncannily revealing the many layers of Beirut's very specific cultural tapistry. The film has proven a real festival hit with Lebanese and international audiences alike, and was Lebanon’s submission for the 2025 Academy Awards.

This UK premiere of Behind the Dream: A Documentary on The Shadow Play, is presented in a double bill with The Shadow Play on Saturday 14 June. The screening will be followed by an online Q&A with the director, Lou Ye’s long-time collaborator Ma Yingli, moderated by Tony Rayns.

Both screenings are part of 'Lou Ye: Chaotic Desires', a special presentation by the Chinese Cinema Project dedicated to one of China’s great contemporary auteurs, and featuring a collection of Lou's key works across two decades, alongside the release of his new title An Unfinished Film.

This documentary, directed by Ma Yingli, the screenwriter of The Shadow Play, follows every step of how the film was made, from pre-production, shooting to post-production. After completion, the crew had to content with the censorship system of China, which is the most uncertain part of Chinese independent film-making.

Hosted in collaboration with the Japan Foundation, this programme is a rare opportunity to see some of the best independent Japanese animation of recent years on the big screen.

Anime is a global phenomenon. But there is much more to Japanese animation than the franchises and studio productions that get the lion’s share of attention. Filmmakers working independently, sometimes almost alone, are creating some of the wildest, most beautiful animation out there, as they experiment with artistic techniques and ways to tell a story.

Clay waves that speak poetry, pointillist landscapes bursting with colour, a candid documentary about periods, an absurdist conspiracy thriller about small people with hats: the short films in this programme, all made by Japanese directors in the past 12 years, cover a dizzying range of styles and narratives.

The programme’s curator Alex Dudok de Wit will introduce the screening.

Mimi, Lisa Fukaya, 4 mins 17 secs, Denmark,  2018

I’m Late, Sawako Kabuki, 10 mins 36 secs, France/Japan, 2019

Maku, Yoriko Mizushiri, 5 mins 25 secs, Japan, 2014

Airy Me, Yoko Kuno, 5 mins 39 secs, Japan, 2013

Datum Point, Ryo Orikasa, 6 mins 41 secs, Japan, 2015

Small People With Hats, Sarina Nihei, 6 mins 51 secs, UK, 2014

A Bite of Bone, Honami Yano, 9 mins 45 secs, Japan, 2021

Bird in the Peninsula, Atsushi Wada, 16 mins 9 secs, France/Japan, 2022

Trigger Warning: This programme contains references to abortion, invasive medical procedures, cremation; graphic violence (including injury detail, animal harm, and allusions to self-harm and suicide).

Established in 1972, the Japan Foundation promotes international cultural exchange between Japan and the rest of the world by organising projects as well as providing financial support through grant programmes in the fields of Arts and Culture, Japanese Language Education, and Japanese Studies. The Japan Foundation currently has its Head Office in Tokyo, with offices and centres in 25 countries outside of Japan.

Northern China, 1999. The grisly discovery of several corpses is made in a small town. A bloody incident during the attempt to capture the alleged murderer leaves two police officers dead and another badly injured. The surviving officer Zhang Zili is suspended from duty; he takes a job as a security guard at a factory. Five years later, another series of mysterious murders occurs. Aided by a former colleague, Zhang decides to investigate under his own initiative.

Diao Yinan's Golden Bear winning third feature is a noirish thriller in drained colours which, whilst playfully alluding to the genre, also invites us into the lives of very ordinary people

In 1960, a young Irish woman named Edna O’Brien wrote a sexually frank debut novel, The Country Girls. She became a literary sensation, writing for The New Yorker, delivering provocative interviews, and authoring screenplays. Her success enraged her writer husband and made her a pariah in her

native Ireland, where her books were banned and burned. She would make her home in London, where she conducted numerous love affairs, hosted star-studded parties, and made and lost a fortune.

In July 2024, Edna passed away and this film provides a final testimony from her, aged 93, as she reflects upon her extraordinary life for filmmaker Sinéad O’Shea’s camera.

Granting the director access to her personal journals - read aloud in the film by the Oscar nominated Irish actress Jessie Buckley - and with additional perspectives offered from Gabriel Byrne, Walter Mosley and an array of renowned writers, Edna does not shy from any subject.

The Garden Cinema View:

This illuminating documentary deploys interviews, archive footage, and readings of Edna O’Brien’s memoirs to foreground her importance to literature alongside the appalling misogyny she suffered throughout her career. Whilst a deep analysis of her writing is not central to this study, there is a firm sense of O’Brien as a hardworking, principled, and resilient artist who faced relentless personal attacks and sexism, from the media and even in her private life. The centrepiece of the film is a remarkable interview with O’Brien, conducted shortly before her death in 2024, which shows her as spikey as ever, but with renewed empathy.

William Hurt and Kathleen Turner strike sparks in this taut, South Florida-set tale of lust, greed, and murder that echoes 1940s film noir but is charged with a steamy passion that could only flare in the 80s. When libidinous but none-too-bright attorney Ned Racine (Hurt) begins an affair with Matty Walker (Turner), the beautiful wife of an unscrupulous tycoon, their desire to be together leads to thoughts of murder.

Cécile is seventeen, spoiled, and spectacularly self-centred. Spending the summer on the French Riviera with her charming, womanising father, she lives a life of parties, flings, and sun-drenched idleness—until an old family friend arrives and threatens to impose order. Cécile doesn’t take it well.

With its unsettlingly hollow energy, baby Jean Seberg's ingenue haircut and a moodboard's-worth of summer style inspiration, Bonjour Tristesse is all elegance on the surface and something much nastier underneath. The original sad girl summer story.

Summertime Sadness

Long, hot summers have always been fertile ground for anxiety, danger and despair on screen. From holiday horrors to angsty coming-of-age tales, summertime sadness is a microgenre all on its own. Even the way we watch – sitting in a dark room – goes against the spirit of warm, sunny days. Escape the packed pubs, hay fever, and heatwave irritability, and come wallow with Zodiac Film Club in a mini-season of sad girl summer classics that lull you with sunshine... then give you a shock.

The screening on 28 June will be introduced by filmmaker and critic Jasper Sharp.

Seijun Suzuki's delirious 1967 hit-man film has drawn comparisons with contemporaries Le samouraï and Point Blank and influenced directors such as John Woo, Jim Jarmusch, and Quentin Tarantino among others.

The story of laconic yakuza Hanada (Joe Shishido), aka 'No. 3 Killer', the third rated hit-man in Japan who takes an impossible job from the mysterious, death obsessed Misako. Hanada bungles the hit and finds himself the target of his employers and a bullet ridden journey leads him to face the No. 1 Killer.

Shot in cool monochrome with beguiling visuals, Branded to Kill is an effortlessly cool crime film with a jazzy score that caused Suzuki to be fired by the studio's executives but is now rightly recognised as his masterpiece.

Alan Parker’s BAFTA-winning ganster musical Bugsy Malone might seem an unlikely idea for a film- a musical comedy set in the 1930s criminal underworld with a cast made up entirely of young teens - but it works brilliantly. 13-year-old Jodie Foster gives an incredible performance as Tallulah.

In late-20s New York, rival gangs led by Fat Sam (John Cassisi) and Dandy Dan fight to control the city. Bugsy Malone (Scott Baio) and his sweetheart Blousey dream of a new life in Hollywood but get caught in the – custard-filled – crossfire.

On Sunday mornings our Family Screenings are followed by a free activity for Children.

The screening is Pay What You Can, which means you’re free to pay as much or as little as you can afford. By paying for a ticket, you will enable us to keep offering Pay What You Can screenings to families struggling with the cost of living. Thank you

In the spirit of Francis Bacon and CHEERIO, we are proud to continue to support daring and provocative films for young filmmakers. With this in mind, we present this specially curated programme of CHEERIO supported short films.

Triptych (Holly Blakey, 2022, 12 mins)

CHEERIO has commissioned acclaimed choreographer and director Holly Blakey to create an original dance piece,Triptych, inspired by the work of Francis Bacon.

Happy Snaps (Tyro Heath, 2023, 12 mins)

On the Isle of Sheppey, two boys try to enjoy a last day together. Their adventures are captured by Gabriel, who has cerebral palsy, on an old camera. But as the day goes on, fears about the future cloud their friendship.

Autophagy (Edie Lawrence, 2024, 11 mins)

A waterborne disease ravages a town, the affliction slowly morphing you into an octopus. With the societal hatred towards those suffering building, a couple have the limited choice: afford the medication to carry on living, or drink the water and suffer being shunned.

Tobacconist (Keifer Taylor, 2024, 23 mins)

A south London odyssey following Tobias, who struggles to fund his mum's return to Jamaica. The city reveals spectres of his community's history and an uncertain future.

Microcosm (Joe Ingham, 2022, 13 mins)

London, 1966. Homosexuality between men is still criminalised. Women don't fare any better. A woman who is exposed as a lesbian can expect to lose her job, her lodgings, her family. It is a tough, dangerous and nerve-wracking existence. But in one subterranean corner of Chelsea, society's rules don't apply. The Gateways club offers a safe haven for women to dance, express themselves and love who they want. Or does it?

Apus Apus (Alfie Elms, 2025, 8 mins)

Apus Apus centres around the character of Bea, whose everyday existence in the city is charted by a series of meals.

The Devil Inside Me (Gabriel B Arranhio, 2022, 5 mins)

A grieving mother believing her son to be possessed by the devil, forces him through a spiritual-religious cleansing. ‘The Devil Inside’ is a poetic exploration of ‘Love’ and the grotesque mutations it can take. A surreal, horror-infused look at a Mother whose intense protective love of her child and innate belief in a deity incite her to take measures that will dismember her son’s trust in her and the world around him. Without acceptance there can be no trust, without trust there can be no love. Told from his perspective in this poetic short piece, David seeks to find the answers within himself, confronting his inner demons, unleashed by his mother, who he still seeks acceptance from now even long after she is deceased.

Lady in The Lake (Joe Fletcher, 2023, 24 mins)

When a suitcase full of body parts washes ashore on an idyllic Austrian lake rumours and incriminations spread through its small, picturesque town. But as the police begin to uncover more in the bizarre case the locals band together, unifying against the darkness that lurks beneath the lake's surface. It is a story about the order of time, the burden of memory and the persistence of myth, narrated and re-enacted by the people whose lives became part of this gruesome case.

Due to popular demand, we're bringing back Caramel, as part of our Lebanese season. The film will be preceded by Dania Bdeir's short film Warsha.

The screening on 25 June will be preceded by a short intro by Dr Albertine Fox, writer of the article "Visibility displaced: lesbian aurality and disruptive self-naming in Sukkar banat/Caramel and Three Centimetres".

Caramel is a Middle Eastern rom-com that challenges binding cultural traditions whilst celebrating female friendship.

In Beirut, five women meet up at a beauty salon, a highly colourful and sensual microcosm. Layale loves Rabih, but he is married man. Nisrine is a Muslim and she has a problem with her coming wedding: She’s no longer a virgin. Rima is tormented by her attraction to women. Jamale is refusing to grow old. Rose has sacrificed herself to look after her older sister. At the salon, men, sex and motherhood are the subjects at the heart of their intimate and liberated conversations.

Punctuated by laugh out loud moments, this hugely popular film from 2006 offers a genuinely nuanced and moving portrait of the country, with its intimate and layered depiction of both its female protagonists and the wider societal relationships they navigate, at a time of cautious optimism in the country.

Caramel will be preceded by the Oscar-nominated mesmerising Warsha, in which a Syrian migrant working as a crane operator in Beirut volunteers to cover a shift on one of the most dangerous cranes, where he is able to find his freedom.

The screening will feature a digital introduction by curator Tuyết Vân Huỳnh.

Not all battles are fought with fists, some are for the right to choose your future.

In Children of the Mist, we follow 12-year-old Di, a Hmong girl from rural Vietnam, as she faces the deeply ingrained cultural practice of bride kidnapping. This powerful documentary offers a rare, unflinching look at Di’s personal battle for autonomy against a backdrop of tradition, family, and cultural expectation. As the film unfolds, we not only witness the personal struggles of Di, but we also delve into the ethical challenges of documentary filmmaking.

The documentary questions the role of the filmmaker in capturing such sensitive subjects while offering a deeply human portrait of rural life in contemporary Vietnam. It is a poignant exploration of resistance, self-determination, and the complexity of tradition in a rapidly changing world.

The screening will be preceded by Xe Đạp (The Bicycle, 2000), a radical animated short made by an all-women team, showcasing textured, paper-cut aesthetics that defied formal norms of the time.

Presented by Tuyết Vân Huỳnh

With support from Arts Council England, the British Council Connections Through Culture programme, and the BFI Audience Projects Fund, awarding funds from the National Lottery.

In collaboration with TPD: The Centre for Assistance and Development of Movie Talents, the Vietnam Film Institute and Varan Hanoi.

This exlusive theatrical release of Colosseum: Rise and Fall is in partnership with Blink Films.

The greatest amphitheatre ever built by the Romans and a monument to blood and brutality. But what were the origins of the Colosseum and the gruesome spectacles performed within? With unique access to new archaeology, Colosseum: Rise and Fall explores the true purpose of the Colosseum and the network of amphitheatres spread throughout the Roman Empire. Visiting sites across Europe and north Africa, exploring finds that reveal both the scope of the games and the secrets of the gladiators, Colosseum: Rise and Fall charts the expansion of Rome and the ultimate decline of one of history’s most barbaric empires, through the most iconic of Roman landmarks, the Colosseum.

One of the coolest and most defining films of the 1960s, John Schlesinger's Darling is now lavishly restored. This London fashion scene-set classic features dazzling performances from Julie Christie, Dirk Bogarde, and Laurence Harvey. Winner of three Academy Awards and four BAFTAs, the film tells the story of a beautiful but easily bored model whose rise to fame makes her a prisoner of the jet-set world she conquered.

Aspiring super-villain Gru ((Steve Carrell) is the unlikely "hero" of this eye-popping animation with comedy and action for all ages. Continually outdone by other evil-doers, Gru hatches a scheme to snatch both the moon and the title of World's Greatest Villain. But when he involves three cute-as-a-button orphans, Gru finds himself becoming a little less despicable: a disaster for any aspiring criminal mastermind.

On Sunday mornings our Family Screenings are followed by a free activity for Children.

The screening is Pay What You Can, which means you’re free to pay as much or as little as you can afford. By paying for a ticket, you will enable us to keep offering Pay What You Can screenings to families struggling with the cost of living. Thank you.

Madagascar, nowadays. Kwame, 20, struggles to make a living in the clandestine sapphire mines. An unexpected event takes him back to his hometown. As he reunites with his mother and old friends, he finds himself confronted with the rampant corruption plaguing his country. He will have to choose between easy money and loyalty, between individualism and political awakening.

Curated by Tatenda Jamera of Maona Art, this film draws audiences homeward through the soulful gaze of African heritage a tapestry of culture, memory, and stories woven into one shared narrative.

This is part of the strand Stone Town: Celebrating the rich tapestry of Africa's voices, cultures, and stories through cinematic experiences on the big screen.

Stone Town, a city in Zanzibar, is home to a unique tradition where on Fridays, a small group of elderly men, seven or eight in number gather in a dilapidated auditorium filled with cobwebs and broken chairs. Sitting beneath the open sky, where the roof collapsed long ago, they watch the flickering images of old films projected onto a wall. This takes place at the Majestic, one of Africas earliest cinemas, an art deco treasure from the 1920s that has since faded from its former glory. It is this very spirit that we seek to revive through the Stone Town strand by showcasing African cinema on the big screen.

Kira and Ian - both in their mid-30s - meet on a winter weekend on the Isle of Skye. Both are on the run - from their past as well as from the reality of their current lives. The 36 hours they spend together are characterised by fun and lightness. A deep, almost magical connection develops between the two strangers. Everything seems possible. But fate tears them apart again. They both return to London, unaware that they live in the same city. Often only a few minutes, metres and coincidences apart, Kira and Ian move through the pulsating city; they never meet. They first have to face their demons before they are ready to really meet.

The Garden Cinema View:

Aylin Tezel takes on directing, writing, and acting duties in an impressive feature debut, which marks her as a new voice in European filmmaking. Initially presenting as Before Sunrise in Skye, Falling Into Place settles in to a story of missed connections and the (relatable) struggles of Millennial life in Hackney. The film does soar whenever the action shifts to a beautifully filmed Scotland, making the London sequences (perhaps deliberately) quite dull. Despite that unevenness, this is still a mature and believable view on life and love in your 30s.  

A rare cinema screening of 1980s cult family favourite Flight of the Navigator.

12-year-old David is accidentally knocked out in the forest near his home, but when he awakens eight years have passed. His family is overjoyed to have him back, but is just as perplexed as he is that he hasn't aged. When a NASA scientist discovers a UFO nearby, David gets the chance to unravel the mystery and recover the life he lost.

On Sunday mornings our Family Screenings are followed by a free activity for Children.

The screening is Pay What You Can, which means you’re free to pay as much or as little as you can afford. By paying for a ticket, you will enable us to keep offering Pay What You Can screenings to families struggling with the cost of living. Thank you.

After the success of our previous family-friendly edition, we are thrilled to welcome back the team from Modus Arts for another session of Foley Nights. This time, the event will be open to members only, and give you a chance to discover the world of cinematic sound effects - from breaking your enemy's bones, to going for a winter walk across some freshly fallen show. 

Rather than a traditional workshop, Foley Nights invites you to experiment directly with objects and their unexpected sonic potential. You’ll respond to short film clips by creating your own live sound effects using a table full of carefully chosen materials – from pebbles and plastic sheeting to sticks, hot-water bottles, and celery – all amplified through specialist microphones, including contact mics and hydrophones. No prior experience is needed. You’ll improvise, test, and play in an informal, collaborative setting that flips the typical relationship between what you see and what you hear on screen.

The event will take place on the morning of Saturday 28 June from 11:30 until 14:30, and tickets are £16.50 each, which includes unlimited complimentary tea and coffee for the duration of the event. Due to the limited capacity, tickets are restricted to 1 per member.

About Modus Arts:

Modus Arts is a National Portfolio Organisation with Arts Council England, delivering sound arts projects across the UK. Modus draw on interdisciplinary and collaborative approaches to developing public-facing sound-based artworks and events.

www.modusarts.org | @modusarts

A neon-drenched crime thriller which pays tribute to the classics of Hong Kong genre cinema while reinvigorating the form.

Chow Wing’s debut follows Shuang (Tai Bo), who after twenty years in prison retreats from the world of crime, taking a construction job and living alone in a tiny room in the once grand but now rundown Mirador Mansions. His quiet life is thrown into disarray after he meets and decides to help Alice (Kuku So), a teenage girl on the run from her mother’s abusive partner, and when his past starts to catch up with him, Shuang is faced with a harrowing choice. Beautifully shot, For Alice recalls the classic Hong Kong thrillers of the 1980s and 90s through its use of neon and shadows, while reinvigorating the genre with its own suspenseful take on guilt and redemption, marking Wing Chow as a up and coming talent to keep an eye on.

In India Donaldson’s insightful, piercing debut, 17-year-old Sam (Collias) embarks on a three-day backpacking trip in the Catskills with her dad, Chris (Le Gros) and his oldest friend, Matt (McCarthy). As the two men quickly settle into a gently quarrelsome brotherly dynamic, airing long-held grievances, Sam, wise beyond her years, attempts to mediate. But when lines are crossed and Sam’s trust is betrayed, tensions reach a fever pitch, as Sam struggles with her dad’s emotional limitations and experiences the universal moment when the parental bond is tested.

The Garden Cinema View:

A powerful debut from India Donaldson, Good One serves as a disturbingly accurate and surgical depiction of toxic family dynamics. Not the trivialised type encountered on social media, but toxicity camouflaged as playful banter and intertwined with genuine - if misguided - love. The film masterfully articulates the often vague and complex process of trauma formation within family histories through subtext, rather than explicit dialogue.

The cast give powerful performances, the script is superbly constructed, and the sound design is exceptional. All of which contribute to Donaldson’s delicate psychological excavation of her central trio. Thanks to the sharp characterisations and writing, the film also serves as a genuinely funny comedy, despite exploring difficult themes. At times, the spirit of Kelly Reichardt guides this trek through the forest, evoking the hiking mysteries of Old Joy, as well as a Reichardtian camera which is always drawn to insects, foliage, and other quiet scenes of nature.

This small triumph stands as one of our programming team's favourite films of 2025 thus far.

Gutsy Film Festival celebrates the bold and original work of filmmakers living with hidden disabilities and chronic illnesses. This specially curated programme features a diverse mix of short films spanning a variety of genres. The 60-minute screening will begin with a brief introduction from festival founder Amy Sargeant, sharing the inspiration behind Gutsy and introducing the films. Join us afterwards for drinks in the bar - can't wait to see you there!

Gutsy is a film festival celebrating the work of filmmakers living with hidden disabilities and chronic illnesses. It’s a supportive, inclusive space to showcase creativity, share stories, and connect with others.

In the late 1970s, as renegade filmmaker Francis Ford Coppola struggles to complete an epic allegory of the Vietnam War, Apocalypse Now, his wife, Eleanor, films his daily travails with a camera of her own. The documentary based on her footage details the difficulties of the large production -- from weather-related delays in the Philippines to star Martin Sheen's heart attack while filming -- and it provides unprecedented behind-the-scenes clips of one of Hollywood's most-acclaimed films.

The film will be preceded by Al Ittisal (The Call), a short film by Sabine Kahwaji, who will be introducing the screening. 

Serge and his girlfriend Leila arrive late at his parents’ big Easter lunch with the wider family. The electricity has been cut, and tensions are already simmering before coming to a head  when matriarch Josephine realises $12,000 of her savings have disappeared.

Amdist the mouth-watering zooms on the kebbe, fatayer, and tabbouleh, biting remarks and sarcastic swipes always on the verge of snowballing into full-blown political and religious arguments, and dysfunctional-family meltdown, in a manner reminiscent of many a French dyfunctional dinner films (Un Air de Famille comes to mind). The handheld camera never leaves the confines of the flat, as tensions ramp up, the acerbic dialogue - at times hilarious - and Lucien Bourjeily's sharply-observed portrayal packing so much about everything the country has been grappling with over the last few decades.

Emmy-nominated writer and director Lucien Bourjeily is known for both his films and theatre productions. Although his work has travelled internationally, it has sometimes been subject to political censorship.

The film won the Special Jury Prize at the Dubai International Film Festival, the "Special Jury Prize" and "Ensemble Cast" awards at the Festival des cinémas arabes, and was nominated for the Jordan Ressler award at the 2018 Miami International Film Festival, the Critics' Choice Award at the 2018 Hamburg Film Festival and the Best World Fiction film award at the 2018 LA Film Festival.

The screening on 25 June will be preceded by a oud performance by Kareem Samara, and followed by a Q&A with director Lucien Bourjeily.

The screening on 19 June will be preceded by a short and transporative set by oud player Kareem Samara, and will be followed by a Q&A with Lucien Bourjeily hosted by actress and Arab Film Club founder Sarah Agha.

Serge and his girlfriend Leila arrive late at his parents’ big Easter lunch with the wider family. The electricity has been cut, and tensions are already simmering before coming to a head  when matriarch Josephine realises $12,000 of her savings have disappeared.

Amdist the mouth-watering zooms on the kebbe, fatayer, and tabbouleh, biting remarks and sarcastic swipes always on the verge of snowballing into full-blown political and religious arguments, and dysfunctional-family meltdown, in a manner reminiscent of many a French dyfunctional dinner films (Un Air de Famille comes to mind). The handheld camera never leaves the confines of the flat, as tensions ramp up, the acerbic dialogue - at times hilarious - and Lucien Bourjeily's sharply-observed portrayal packing so much about everything the country has been grappling with over the last few decades.

Emmy-nominated writer and director Lucien Bourjeily is known for both his films and theatre productions. Although his work has travelled internationally, it has sometimes been subject to political censorship.

The film won the Special Jury Prize at the Dubai International Film Festival, the "Special Jury Prize" and "Ensemble Cast" awards at the Festival des cinémas arabes, and was nominated for the Jordan Ressler award at the 2018 Miami International Film Festival, the Critics' Choice Award at the 2018 Hamburg Film Festival and the Best World Fiction film award at the 2018 LA Film Festival.

The event is taking place in partnership with the Arab Film Club.  

There will be another matinee screening of the film on 27 June.

Bestowed with superhuman strength, a young mortal named Hercules sets out to prove himself a hero. Along with his friends and his true love, Hercules must outwit the hotheaded villain Hades, and learn a valuable lesson... that it's not the size of your strength that counts but the strength of your heart!

Featuring rockin' songs by Alan Menkin and David Zippel, and an all-star cast including Tate Donovan, Danny DeVito, Susan Egan, James Woods, Roger Bart, Keith David, Bobcat Goldthwait and Amanda Plummer.

On Sunday mornings our Family Screenings are followed by a free activity for Children.

The screening is Pay What You Can, which means you’re free to pay as much or as little as you can afford. By paying for a ticket, you will enable us to keep offering Pay What You Can screenings to families struggling with the cost of living. Thank you.

Michael Haneke was awarded the Best Director prize at Cannes for his stunning exploration of a past that haunts the present. This compelling psychological thriller stars Daniel Auteuil as Georges, a TV presenter who begins to receive mysterious and alarming packages containing covertly filmed videos of himself and his family. Convinced he knows the identity of the person responsible, Georges embarks on a rash and impulsive course of action that throws up some unpleasant facts about his past and leads to shockingly unexpected consequences.

Our screening on Tuesday 5 August will be introduced by Lucy Bolton (QMUL).

A critical and commerical flop upon release in 2003, Jane Campion's giallo-infleced, erotic thriller is now considered a masterpiece of female desire and subjectivity.

Frannie (Meg Ryan) is a lonely but determined woman living alone in Manhattan, who becomes involved in a murder investigation following the gruesome slaying of a young woman in her neighbourhood. It soon appears that she may know more about the murderer than she thinks, after witnessing what could have been the prelude to the crime. Drawn to the homicide detective (Mark Ruffalo) investigating the case, she discovers the dark side of passion when she embarks on a risky and turbulent affair with him. But as the death toll rises, each victim getting closer to Frannie, she begins to wonder if her new lover is hiding a deadly secret.

Two of Hong Kong cinema’s most iconic leading men, Tony Leung and Andy Lau, face off in the breathtaking thriller that revitalised the city's twenty-first-century film industry, launched a blockbuster franchise, and inspired Martin Scorsese’s The Departed. The setup is diabolical in its simplicity: two undercover moles -a police officer (Leung) assigned to infiltrate a ruthless triad by posing as a gangster, and a gangster (Lau) who becomes a police officer in order to serve as a spy for the underworld - find themselves locked in a deadly game of cat and mouse, each racing against time to unmask the other. As the shifting loyalties, murky moral compromises, and deadly betrayals mount, Infernal Affairs raises haunting questions about what it means to live a double life, lost in a labyrinth of conflicting identities and allegiances.

The provocative Italian filmmaker Elio Petri’s most internationally acclaimed work is this remarkable, visceral, Oscar-winning thriller. Petri maintains a tricky balance between absurdity and realism in telling the Kafkaesque tale of a Roman police inspector (a commanding Gian Maria Volontè) investigating a heinous crime - which he himself committed. Both a compelling character study and a disturbing commentary on the draconian government crackdowns in Italy in the late 1960s and early 70s, Petri’s kinetic portrait of surreal bureaucracy is a perversely pleasurable rendering of controlled chaos.

Agathe, hopelessly clumsy yet charming and full of contradictions, finds herself in desperate singlehood. Her dream is to experience love akin to a Jane Austen novel and her ultimate aspiration is to become a writer. Instead, she spends her days selling books in the legendary English-language bookshop, Shakespeare & Co, in Paris. Invited to the Jane Austen Writers' Residency in England, she must confront her insecurities to finally fulfil her ambition of becoming a novelist and put an end to wasting her sentimental life.

The film will be followed by a discussion with writer and curator Paul Gorman, author of The Life & Times of Malcolm McLaren and a celebrated commentator on visual culture and countercultural history.

Long neglected, American Pop is perhaps the last great film of the golden age of adult animation. At once a jukebox musical, an intergenerational epic, and a stylistic tour de force, the film tells the intertwined story of music and migration through the adventures of one remarkable family. Fleeing the Russian pogroms, a rabbi’s wife and her baby son land in New York at the height of the vaudeville craze. Each generation that follows falls in with another wave of distinctly American music, from jazz and soul to rock’n’roll, psychedelia, punk, and beyond. Directed by Ralph Bakshi (Fritz the Cat) in his distinctive Rotoscoping style, the film is both a reimagining of the director’s own journey from Mandatory Palestine to Brooklyn and a celebration of the allure of mass culture.

Scenes of animated violence and drug use

This screening is part of ‘Beyond Jewish Cinema’, a new series that considers what it really means to make ‘Jewish cinema’ in light of parallel currents in commercial and experimental filmmaking. Moving from the Lower East Side to the Yiddish East End and beyond, the series shines a new light on old favourites alongside lesser-known works from across the history of film. ‘Beyond Jewish Cinema’ is programmed by Jargon, a non-profit dedicated to exploring past, present, and future visions of Jewish diasporic culture.

Amrou Al-Kadhi’s feature debut follows the relationship between Palestinian-British drag performer Layla and their white, straight-laced, new love interest, Max. Drawn together by fate, their newfound joy is increasingly complicated by urgent questions of difference, forcing them both to confront the bittersweet nature of attraction.

This charming and exuberant tale follows Layla as they lose their way in love and find themself in a transformative relationship that tests who they really are. Al-Kadhi’s film asks: what does it mean to love someone and how much are you willing to compromise?

One of the great works of 1930s poetic realist cinema, Le jour se lève was Marcel Carné’s fourth collaboration with screenwriter and poet Jacques Prévert. In this compelling story of obsessive sexuality and murder, the working-class François (Jean Gabin) resorts to killing in order to free the woman he loves from the controlling influence of another man.

In a career-defining performance, Alain Delon plays Jef Costello, a contract killer with samurai instincts. After carrying out a flawlessly planned hit, Jef finds himself caught between a persistent police investigator and a ruthless employer, and not even his armour of fedora and trench coat can protect him. An elegantly stylised masterpiece of cool by maverick director Jean‑Pierre Melville, Le samouraï is a razor-sharp cocktail of 1940s American gangster cinema and 1960s French pop culture - with a liberal dose of Japanese lone-warrior mythology.

The film is part of the Beirut Film Society's first edition of Lebanon Cinema Days in the UK, which shines a spotlight on the powerful voices of Lebanese cinema, presenting a curated selection of films by a new generation of filmmakers. Cinema Days is a mini programme that's part of our wider Lebanese season.

The screening will be preceded by an introduction by film director and academic Maria Abdul Karim on the emerging film scene in Lebanon.

Barefoot from Beirut, dir. by Andrew Dawaf

Far away from home, and after becoming auditorily impaired with a tinnitus as a result of the Beirut blast of August 4th, Tahara, a Lebanese immigrant in Europe, tries singing again, but homesickness overtakes her every emotion.

I Stole the Key From My Own House, dir. by Zinia Khalifeh

At 14 years old, Zinia discreetly steals the spare keys of her own house, after her parents decide to sell it subsequently to a murder of three family members. Today at 21 Zinia uses these keys as a healing tool to her and her Family.

An Album of Vows, dir. by Elio Tarabay

After taking their eternal Vows, a young lebanese priest and nun question their life descisions, until a small encounter provides them with answers.

Yaroun, dir. by Zeinab Mahfoud

Yaroun navigates the emotional journey of an immigrant caught between two worlds amidst escalating tensions in South Lebanon. We follow the protagonist as he seeks solace and refuge under the shelter of the Australian flag.

Remains, dir. Christine Abou Zein

Visually mesmerising film about the struggle of those who remain, the ones who stay stuck and are left with only memories when everything is destroyed and rebuilt.

Alitisal, dir. by Sabine Kahwaji

As a deadly explosion shatters their hometown of Beirut, three Lebanese siblings living abroad confront their mental health struggles amid uncertainty about their parents' fate.

The Sky Never Disappointed Anyone, dir. Ryan Nakhle

Mounir grapples with masculinity and societal expectations. In a surreal exploration of identity and tradition, his attempt to break free leads to a haunting confrontation with his own limitations, mirroring the myth of Icarus.

Ephemeral You, dir. by Nour Dimashkieh

Drawing upon memories, archival footage, and a hike along the seaside in Beirut, this contemplative documentary reflects upon the director’s complex relationship with her father.

Beirut Film Society is committed to using cinema as a platform for dialogue, social impact, and cultural diplomacy. One of the Beirut Film Society’s core missions is to reconnect with the Lebanese diaspora and to promote Lebanese creative expression on the international stage — fostering cultural bridges between Lebanon and the world.

Throughout the season, we will be have Lebanese wine and Al Rifai nuts as part of our bar menu.

Six Lebanese women, different ages, await the return of their sons, brothers, husbands or lovers, who have been missing since the Civil War. VOID depicts the events that take place on the eve of the Beirut Parliament Square sit-in, where the women petition to renew the cases of their missing men. The lives of these women revolve around waiting for the men in their lives. A wait filled with uncertainty, and hope.

Void is a rare film about the plight of the disappeared during Lebanon's Civil War that raged from 1975 to 1990, and more crucially, the aftermath and the impact on their closed ones and the wider society, which has had to grapple with this reality for the following decades. In fact, the Arabic title is "Waynon", which means "where are they?" The stories are nuanced and engaging, carefully avoiding falling into cliches, neither condemning nor lionesing the real people at the heart of this.

The film was written by Georges Khabbaz and directed by seven graduates from Notre Dame University outside of Beirut. The directors were Naji Bechara, Jad Beyrouthy, Zeina Makki, Tarek Korkomaz, Christelle Ighniades, Maria Abdel Karim and Salim Habr. Khabbaz also was the scriptwriter for Lebanon’s Oscar submission, Ghadi, and starred in 2007’s Venice and Sundance festival entry Under the Bombs. Void won the Best Screenplay award at the Malmo Arab Film Festival in Sweden and the Jury Special Prize at the Alexandria Film Festival for Mediterranean Countries.

Diamand Bou Abboud, who won a number of awards for her stellar performance, also stars in Arze, whose UK premiere is screening as part of this season.

The screening will be followed by a Q&A with writer Georges Khabbaz and director Maria Abdul Karim. Tickets will include a glass of Lebanese wine, courtesy of Lebanese Fine Wines, or a soft drink alternative.

The film is part of the Beirut Film Society's first edition of Lebanon Cinema Days in the UK, which shines a spotlight on the powerful voices of Lebanese cinema, presenting a curated selection of films by a new generation of filmmakers.

This festival is presented by Beirut Film Society, an organization committed to using cinema as a platform for dialogue, social impact, and cultural diplomacy. One of the Beirut Film Society’s core missions is to reconnect with the Lebanese diaspora and to promote Lebanese creative expression on the international stage — fostering cultural bridges between Lebanon and the world.

Contemporary shorts from an all-women line up of London-based Lebanese filmmakers.

The screening on 9 June will be followed by a Q&A with all the filmmakers, hosted by curator and producer Taghrid Choucair.

The matinee screening on 16 June will be preceded by an introduction on diaspora by Dr Kareem Estefan.

Neo Nahda, dir. by May Ziade

Mona, a young woman in London, finds archived photographs of Arab women cross-dressing in the 1920s. Somewhere between her fantasies and reality, she starts a feverish journey of uncovering lost histories and her own identity.

BFI Flare selection.

A Tempo the 3rd Act, dir. by Maria Abdel Karim

Dreams can only be fulfilled when you let go of your reality - Yet, where are you outside the dream? Nadia, a 20 year-old Lebanese girl is chasing a lost dream and desperate to discover what lies beyond the echoed music of her little village. Driven by her sense of adventure and triggered by a short argument with her parents, she leaves her town at dawn to chase her secret dream. "To Beirut".

European Film Festival ECU Paris - Best Arab Film winner

Sapporo Film Festival - Best Sound winner

Dubai Film Festival - Best Short nominee

Malmo Film Festival - Best Short nominee

The Sun Sets on Beirut, dir. by Daniela Stephan

Mounia searches for her lost cat among the ruins of the Beirut port explosion. Joined by her best friend Ghady, they navigate the remnants of their city on a quest to recover what’s been lost.

Les Nuits Méditerranéennes du Court - Grand Prix winner, Beirut Women Film Festival - Jury Special Mention, Kurzfilmtage Winterthur official selection

Three Centimeters, dir. by Lara Zeidan

Four teenage girls find their friendship put to the test while suspended high above Beirut on a Ferris wheel. As secrets are revealed and tensions rise, this claustrophobic drama culminates in an unexpected confession.

London Critics' Circle - Best British Short winner

Encounters - Chris Collins Live Action winner

London Film Week - winner

Iris Prize - winner

Submarine, dir. by Mounia Akl

Under the imminent threat of Lebanon's garbage crisis, Hala, a wild child inside of a woman, is the only one to refuse evacuation, clinging to whatever remains of home.

Atlanta Film Festival - Best Short winner

Cannes Cinefondation - Nominee

Valencia - Best Short winner

When young mum Molly (Sterling) is released from prison after serving four months, she assumes it will be a matter of hours before she can pick up her children from foster care. Instead, Molly finds herself in the mother of all catch-22s: she can’t get housing because she doesn’t have her kids living with her; but she can’t get them back without a roof over her head. When Molly reconnects with her childhood friend, and fellow single mother, Amina (Ahmed), the two women join forces and take destiny into their own hands.

The Garden Cinema View:

Daisy May-Hudson follows in the footsteps of Ken Loach and the Dardennes brothers for a furious and excoriating critique of Britain's care system. Posy Sterling gives an intense and very believable lead performance as a woman in the most desperate of circumstances. There are some didactic moments, but (as in Loach) sometimes the broader political point is more crucial than dramatic immersion. May-Hudson is careful to keep her sights fixed on the Kafkaesque care system itself, rather than the people working in it. In fact, despite the hard edges, Lollipop is generous and soft-centred. May-Hudson shows how solutions, warmth, and hope can be found in community and social relations, even when all seems hopeless.    

Bi Gan followed the mesmerising Kaili Blues with this noir-tinged stunner about a lost soul (Jue Huang) on a quest to find a missing woman from his past (Wei Tang, Lust, Caution). Following leads across Guizhou province, he crosses paths with a series of colorful characters, among them a prickly hairdresser played by Taiwanese superstar Sylvia Chang. When the search leads him to a dingy movie theater, the film launches into an hour-long, gravity-defying long-take which plunges its protagonist - and us - into a labyrinthine cityscape. China's biggest arthouse hit of all time, the film took in more than £30 million in its opening weekend at the domestic box office.

Screening in the 2D version.

To celebrate the classic Japanese crime films in our Noir International season, we're delighted to welcome back the team from Sake Collective for a tasting session. 

Sake Collective are a London based sake shop, dedicated to creating a new community of people around sake and other traditional Japanese drinks. They have also been supplying The Garden Bar with a variety of rotating sakes.  

During the tasting, you'll not only get a chance to preview our new menu offering, but Satoshi Hirasaki from Sake Collective will be showcasing other sakes, taking us through a range of styles, while also teaching us about the history of Japan’s national beverage.

Tickets for the sake tasting are £27.50, and are restricted to 2 per member. Remember to log into your membership account before booking.

We're offering a multibuy discount for any members purchasing tickets for the sake tasting and the screening of Masahiro Shinoda’s Pale Flower that follows later in the evening: when both tickets are in the shopping basket, the ticket price for the film will automatically be reduced to just £8.00.

Our screening of Sunday 3 August will be introduced by film journalist Darren Richman.

Inspired by true events, this rain-drenched sophomore feature from the Oscar-winning filmmaker Bong Joon ho blends true-crime with social satire and comedy in typically masterful fashion.

In 1986 Gyeonggi Province, South Korea, after two women are found raped and murdered, Seoul detective Seo Tae-yoon (Kim Sang-kyung) is brought in to help local detective Park Doo-man (Song Kang-ho) with the investigation. As more bodies are found, the pair realise they have a serial killer on their hands.

Our screening on Wednesday 17 July will be introduced by John Wischmeyer (City Lit).

The brilliant breakthrough film by writer-director Neil Jordan journeys into the dark heart of the London underworld to weave a gripping, noir-infused love story. Bob Hoskins received a multitude of honors - including an Oscar nomination - for his touchingly vulnerable, not-so-tough-guy portrayal of George, recently released from prison and hired by a sinister mob boss (Michael Caine) to chauffeur call girl Simone (Cathy Tyson, in a celebrated performance) between high-paying clients. George’s fascination with the elegant, enigmatic Simone leads him on a dangerous quest through the city’s underbelly, where love is a weakness to be exploited and betrayed. Jordan’s colorful dialogue and eye for evocatively surreal details lend a dreamlike sheen to Mona Lisa, an unconventionally romantic tale of damaged people searching for tenderness in an unforgiving world.

On Saturday 14 June, set foot into the shady alleyways and dark corners of the Garden Cinema, to uncover the secrets of yet another unfortunate occurrence on our premises..

Put on your detective hat (fedoras are encouraged!) and crack the case by piecing together clues and interviewing our suspects, although be advised: trust no one. Your investigation will lead you into the bowels of the cinema for a shocking reveal, followed by a screening of the sizzling & seductive ‘80s classic, Body Heat.

As the film’s Floridian heatwave is sure to get you sweating, tickets include a complimentary (alcoholic or non-alcoholic) cocktail to quench your thirst.

To allow everyone enough space to sniff around looking for evidence, we will be running the event twice, once in the afternoon and once in the evening, so please keep your (private) eye on the time of your booking! 

Timings for round 1:

16:00  Murder mystery and cocktails

17:30  Reveal & screening of Body Heat

19:45  Expected finish

Timings for round 2:

19:00  Murder mystery and cocktails

20:30  Reveal & screening of Body Heat

22:45  Expected finish

The event is open to members only, but you are welcome to book up to 2 tickets, meaning you can bring a friend along - two brains are better than one, after all. Tickets are available now for £21.50 each, which includes access to the murder mystery, a complimentary cocktail, and an unallocated seat for the film screening. 

If you have any access needs or require a specific seat in the screen, please email membership@thegardencinema.co.uk so we can try to accommodate.

About the film:

William Hurt and Kathleen Turner strike sparks in this taut, South Florida-set tale of lust, greed, and murder that echoes 1940s film noir but is charged with a steamy passion that could only flare in the '80s. When libidinous but none-too-bright attorney Ned Racine (Hurt) begins an affair with Matty Walker (Turner), the beautiful wife of an unscrupulous tycoon, their desire to be together leads to thoughts of murder.

Ocean with David Attenborough takes viewers on a breathtaking journey showing there is nowhere more vital for our survival, more full of life, wonder, or surprise, than the ocean.

The celebrated broadcaster and filmmaker reveals how his lifetime has coincided with the great age of ocean discovery. Through spectacular sequences featuring coral reefs, kelp forests and the open ocean, Attenborough shares why a healthy ocean keeps the entire planet stable and flourishing.

Stunning, immersive cinematography showcases the wonder of life under the seas and exposes the realities and challenges facing our ocean as never-before-seen, from destructive fishing techniques to mass coral reef bleaching. Yet the story is one of optimism, with Attenborough pointing to inspirational stories from around the world to deliver his greatest message: the ocean can recover to a glory beyond anything anyone alive has ever seen.

Our screening on Monday 2 June will be introduced by John Wischmeyer (City Lit).

Arguably the definitive film noir, and featuring Robert Mitchum at his best. He plays an ex-private eye trying to escape his past until former girlfriend Kathie (Jane Greer) and gangster Whit (Kirk Douglas) drag him into a world of double-crossing, revenge and murder. First-rate performances, hypnotic cinematography, and an intricate script make this a classic.

Our screening on 11 June will be introduced by freelance curator Yuriko Hamaguchi.

In this cool, seductive jewel of the Japanese New Wave, a yakuza, fresh out of prison, becomes entangled with a beautiful and enigmatic gambling addict; what at first seems a redemptive relationship ends up leading him further down the criminal path. Bewitchingly shot and edited, and laced with a fever-dream-like score by Toru Takemitsu, this gangster romance was a breakthrough for the idiosyncratic Masahiro Shinoda. The pitch-black Pale Flower is an unforgettable excursion into the underworld.

A multibuy discount applies to those attending our sake tasting as well as the screening of Pale Flower on Saturday 21 June. To activate the discount, make sure tickets for both events are in your basket. Then proceed to checkout where screening tickets will reduce to just £8.

A selection of award-winning shorts from the last few years open our Lebanese season with arresting animation, heart-warming drama, laugh out loud moments and biting dialogue.

To celebrate this rare occasion to platform the country's cinematic landscape, our friends and neighbours at Beirut Garden will be providing mezza sampler plates, which, along with a glass of  Kefraya White and Ksara Red wine courtesy of Lebanese Fine Wines, or a soft drink equivalent, will be included in your ticket.

Audience members will have a chance to purchase some of their excellent products in the pop-up shop in our bar area.

The screening will be introduced by season curator Abla Kandalaft, academic and filmmaker Jawal Awar, and co-curator Claire Nicolas.

Films:

Waves '98, dir. by Ely Dagher

A mesmerising mix of animation and live-action footage, ‘Waves ‘98’ is a moving meditation on the contradiction of feeling lost at home. 2015 Palme d'Or winner.

The Trees, dir. by Ramzy Bashour

Bashir attends his father’s funeral in rural Lebanon only to discover a pathogen infecting the trees across his village. 2021 Clermont-Ferrand Special Jury Prize winner.

Les Chenilles, dir. by Michelle & Noel Keserwany

Asma and Sarah, originally from the Levant, find themselves working in the same restaurant in France. Initially wary of each other, they gradually discover a common thread that binds them — one that dates back to when the Silk Road connected Lyon to their home countries. 2023 Golden Bear Award winner.

Sisters of the Rotation, dir. by Michel & Gaby Zarazir

At the Sisters of the Rotation’s convent, the Earth doesn’t spin by itself. Winner of the 2024 Special Jury Award at the Bucharest Short Film Festival, Special Mention at PÖFF Shorts in Tallinn, Live Action Short Jury Prize at Seattle International Film Festival.

If the Sun Drowned Into an Ocean of Clouds, dir. by Wissam Charaf

Beirut, Lebanon. On the waterfront’s construction site, security agent Raed must prevent passing-by walkers from accessing the seaside.

2024 Clermont-Ferrand Special Jury Prize winner.

To accommodate everyone, we are running the same event back to back, with the first event starting at 16:00 and the second starting at 17:00. You can book for either time slot. Please check timings carefully!

First slot

16:00 - 17:00  Lebanese wine, mezza nibbles & pop-up shopping

17:00 - 17:10  Introduction

17:10 - 18:50  Screening of Panorama: Lebanese Award Winners

Second slot

19:00 - 20:00  Lebanese wine, mezza nibbles & pop-up shopping

20:00 - 20:10  Introduction

20:10 - 21:50  Screening of Panorama: Lebanese Award Winners

We will be serving a selection of wines from Chateau Kefraya, Chateau Ksara, Chateau St Thomas, and Domaine Wardy.

We are adding Lebanese Château Kefraya Les Bretèches White wine and mixed nuts from Al Rifai to our bar menu throughout the season.

One of the most acclaimed Hong Kong films of the year, Philip Yung’s latest is a heart-wrenching crime drama based on a shocking real life case.

Acclaimed filmmaker Philip Yung (Port of Call) returns with gripping true crime drama Papa, the winner of multiple awards and which has been hailed as one of the best Hong Kong films of recent years. Café owner Nin’s life is shattered forever when his fifteen-year-old son Ming violently murders his mother and sister one evening. Diagnosed with acute schizophrenia, Ming is remanded indefinitely to a psychiatric prison, while Nin tries to continue his daily pedestrian existence, struggling with immense anger and grief. As time passes, he gives up on trying to understand the reasons for the tragedy, and tries to connect with his son, who despite everything is now his only remaining family.

One of the most important and influential film makers in cinematic history, Akira Kurosawa directed 30 films in a career spanning 57 years. His final masterpiece, Ran, is a reimagining of Shakespeare’s King Lear set in feudal Japan. Ran tells the story of Lord Hidetora Ichimonji (Tatsuya Nakadai) an aging warlord who, after spending his life consolidating his empire, decides to abdicate and divide his Kingdom amongst his three sons Taro, Jiro, and Saburo. This leads to a brutal and bloody war between the brothers for absolute power of the kingdom.

Leni Riefenstahl is considered one of the most controversial women of the 20th century as an artist and a Nazi propagandist. Her films Triumph of the Will and Olympia stand for perfectly staged body worship and the celebration of the superior and victorious. At the same time, these images project contempt for the imperfect and weak. Riefenstahl’s aesthetics are more present than ever today - but is that also true for their implied message? The film examines this question using documents from Riefenstahl's estate, including private films, photos, recordings and letters. It uncovers fragments of her biography and places them in an extended historical context.

The Garden Cinema View:

A fascinating study of a complex, groundbreaking, and deeply controversial filmmaker. This documentary burrows into the questions of complicity, responsibility, and the relationship between art, media, and politics that engulfed Leni Riefenstahl’s post-war life. Whilst she remains too slippery to ultimately pin down, the sense of an artist attempting to control her image and narrative emerges strongly in this film.

Riefenstahl’s own films are themselves acutely interesting and spectacular even as the act of watching them can be profoundly upsetting. So it is a shame that there is not more analysis of how this imagery proved so effective as a kind of aesthetic of fascism, and indeed how it continues to reoccur from everything from advertising to family blockbusters.  

A government scheme sees newly widowed Santosh inherit her husband’s job as a police constable in the rural badlands of Northern India. When a lowcaste girl is murdered, Santosh is pulled into the investigation by charismatic feminist inspector Sharma.

The screening on Friday 21 March will be introduced by Aashna Thakkar from Reclaim The Frame

The Garden Cinema View:

A UK made, Indian set police procedural, that slowly tightens into a troublingly dark film noir. Perhaps the best depiction of small town law enforcement corruption and ineptitude since Bong Joon ho’s great Memories of Murder, Santosh contains its own powerful statements of Indian misogyny and caste prejudice. Gripping and bleak, this is a mature film that never over explains, and is confident to tell an often elliptical narrative.  

The screening on Saturday 7 June will be followed by an online Q&A with the director Lou Ye, moderated by Tony Rayns. The screening on Saturday 21 June will be introduced by Filming East Festival programmer Tu Yao.

These screenings are part of 'Lou Ye: Chaotic Desires', a special presentation by the Chinese Cinema Project dedicated to one of China’s great contemporary auteurs, and featuring a collection of Lou's key works across two decades, alongside the release of his new title An Unfinished Film.

1941. Since the Japanese occupation, China has become a wartime intelligence battlefield for the Allies and the Axis Powers. Iconic actress Jean Yu returns to Shanghai, ostensibly to appear in the play 'Saturday Fiction' directed by her former lover. But what is her true aim? To free her ex-husband? To gather intelligence for the Allied Forces? To work for her adoptive father? Or to escape from war with her lover? As she embarks on her mission, with friends ever more difficult to distinguish from undercover agents, as everything spirals out of control, Jean Yu starts to question whether to reveal what she has learned about the imminent Pearl Harbor attack.

The screening on Tuesday 10 June, will be introduced by film critic Laura Venning.

Nomi (Elizabeth Berkley) arrives in Las Vegas with only a suitcase and a dream of becoming a top showgirl. She quickly befriends Molly (Gina Ravera), who works at the high-profile Stardust Hotel, and lands a job at a seedy strip club. A chance meeting with Cristal (Gina Gershon), the Stardust's marquee dancer, and her powerful boyfriend, Zack (Kyle MacLachlan), brings Nomi one step closer to realizing her dream. But, as she ascends to the top, Nomi begins to wonder if it's all worth it.

Laura Venning is a film critic from London specialising in feminist cinema, queer cinema and folk horror. She has written for BBC Culture, Empire magazine, Little White Lies magazine and the Curzon Journal. She has contributed to critics’ surveys such as Sight and Sound’s historic Greatest Films of All Time poll in 2022 and has introduced films at the BFI Southbank.

The grumpy ogre Shrek finds his swap overrun with magical creatures exiled by a villanous lord. In exchange for his home back, Shrek agrees to go on a quest to rescue a princess.

On Sunday mornings our Family Screenings are followed by a free activity for Children.

The screening is Pay What You Can, which means you’re free to pay as much or as little as you can afford. By paying for a ticket, you will enable us to keep offering Pay What You Can screenings to families struggling with the cost of living. Thank you.

The screening will feature a digital introduction by curator Tuyết Vân Huỳnh.

The rare and much-anticipated Hát Giữa Chiều Mưa (Singing in the Rainy Afternoon), is a cinematic gem from 1990 that blends drama, humor, and radiant style. This hidden masterpiece, a hallmark of “instant noodle cinema” is a story of love, music, loss, and resilience, featuring Mai, a young woman who loses her sight in a fireworks accident and must navigate the pain of her father’s thirst for revenge, while holding on to the emotional strength that music offers. The film culminates in a whimsical, moving musical finale set in the rain, a moment of joy and transcendence.

Presented by Tuyết Vân Huỳnh

With support from Arts Council England, the British Council Connections Through Culture programme, and the BFI Audience Projects Fund, awarding funds from the National Lottery.

In collaboration with TPD: The Centre for Assistance and Development of Movie Talents, the Vietnam Film Institute and Varan Hanoi.

This is a fundraiser screening. It will be preceded by a small crafts souk in the bar, and a short performance by Lebanese poet Rayanne Chami, and an introduction by the programmers. You'll have a chance to purchase Lebanese wine and Al Rifai nuts.

A raw and riveting documentary about Slave to Sirens, the Middle East’s first all-woman thrash metal band.

Set against the backdrop of Lebanon’s political and economic turmoil, Sirens explores what it means to be a musician in a country where censorship constantly looms. Struggling to draw local crowds and enduring relentless online abuse, the band pushes forward, undeterred. Director Rita Baghdadi deftly weaves scenes of protest with the band’s internal struggles, capturing their strength in every frame while exposing a society eager to silence them. The result is an inspirational yet deeply meditative film that serves as a fierce testament to freedom, female solidarity, and the power of our voices.

The film was part of the official selection at Sundance, CPH:DOX, Guadalajara and Thessaloniki film festivals, amongst others.

We are showing Sirens in collaboration with film programmer Caroline Cassin to raise funds for two grassroots organisations in Lebanon: Haven for Artists, a feminist, decolonial initiative supporting cultural workers, and Marsam Alhakaya, a tuition-free 2D animation programme for refugees and marginalised communities in the country.

We will be selling handmade items by Viridiana Marin and Chachoulie by Rima, beautiful photographs of Lebanon by Rabih Arasoghli, and ceramics by Amina Rawat

Event timings:

15:30-16:30 Crafts and snacks for sale in the Atrium Bar

16:30-16:45 Poetry and introduction

16:45-18:05 Screening of Sirens

We are adding Lebanese Château Kefraya Les Bretèches White wine and mixed nuts from Al Rifai to our bar menu throughout the season.

Site & Sound is an event series that explores the relationship between architecture and film. Each session will feature curated clips and short films around a chosen theme, inviting discussion around particular elements of representation and the different techniques employed by filmmakers. Themes will examine a multitude of perspectives on architecture, ranging from varying building types to their individual component parts and how these are interpreted by the viewer as they see the world through the lens of the built environment.

Often overlooked, thresholds are the spaces in between: a doorway, a border or a pause. In architecture, a threshold marks the moment we pass from one place to another. It's both connector and divider that holds tension and potential. More than a physical transition, it's a state of ambiguity where boundaries blur and everything feels possible.

In film, thresholds take many forms. A simple door can lead a character into another room, shifting the mood and moving the story forward. Directors use these moments to collapse boundaries between spaces, between realities and even between the screen and the viewer. Sometimes we’re drawn in and at others we are pushed to reflect on our own role in the act of watching.

This event explores thresholds as spaces of transformation between conscious and unconscious, interior and exterior, seen and unseen.

Speakers include:

Anissa Colaco Souza

Malltwen Freeman

Space Popular

Site&Sound is very grateful for the graphic support from TM (TsevdosMcNeil) who have provided the branding and identity.

Connie is fifteen, bored, and beautiful—with nothing much to do but hang around the mall, try on new identities, and flirt with boys. Her mother doesn’t understand her, her sister resents her, and the summer stretches out in every direction. Then a strange older man pulls up in a gold convertible...

Based on a Joyce Carol Oates story and starring baby Laura Dern, Smooth Talk is all about the danger of an endless summer afternoon. Sun-drenched and deeply unsettling, it’s a female-directed, teen-girl centred masterclass in dreamy dread.

Trigger Warning: Contains sexual threat

Summertime Sadness

Long, hot summers have always been fertile ground for anxiety, danger and despair on screen. From holiday horrors to angsty coming-of-age tales, summertime sadness is a microgenre all on its own. Even the way we watch – sitting in a dark room – goes against the spirit of warm, sunny days. Escape the packed pubs, hay fever, and heatwave irritability, and come wallow with Zodiac Film Club in a mini-season of sad girl summer classics that lull you with sunshine... then give you a shock.

A Q&A fundraiser with three of the UK's leading female screenwriters as they step down from executive roles in the Writers' Guild of Great Britain.  

Join Olivia Hetreed (GIRL WITH A PEARL EARRING, WUTHERING HEIGHTS, MRS HARRIS GOES TO PARIS), Andrea Gibb (SWALLOWS AND AMAZONS, MISS AUSTEN, ELIZABETH IS MISSING) and Line Langebek (THE GIRL WITH THE NEEDLE, I'LL COME RUNNING, ROYALS NEXT DOOR) for an informative and inspiring Q&A as they discuss their careers to date, and how they’ve balanced this with their long involvement with the WGGB, and mentoring and supporting other writers.

50% of the proceeds from this event will go to support the WGGB Welfare Fund.  

Join members of the WGGB Film Committee in the bar afterwards to learn more about the work of the trade union for UK writers.

The Writers’ Guild of Great Britain is the trade union for professional writers in the UK working in TV, film, theatre, audio, books, poetry, comedy, animation and videogames. Our members also include emerging and aspiring writers, including students. If you’re a writer in the UK – whether you have professional credits or not – we’re your union!  Our movement is growing and our community of writers is working collectively to campaign for a better, fairer industry and improve the pay and conditions of all writers.

The screening on 8 June will be introduced by Chris Berry (KCL).

These screenings are part of 'Lou Ye: Chaotic Desires', a special presentation by the Chinese Cinema Project dedicated to one of China’s great contemporary auteurs, and featuring a collection of Lou's key works across two decades, alongside the release of his new title An Unfinished Film.

A poignant and romantic queer drama whose outtakes and behind-the-scenes footages are featured in Lou Ye’s latest docufiction work An Unfinished Film.

Hired to spy on a philandering husband, Luo Haitao soon becomes entangled in a clandestine affair with the other man. Along with Luo's girlfriend, they succumb to the delirium of drunken nights, but how long can their tryst last?

A bad day gets worse for young detective Murakami when a pickpocket steals his gun on a hot, crowded bus. Desperate to right the wrong, he goes undercover, scavenging Tokyo’s sweltering streets for the stray dog whose desperation has led him to a life of crime. With each step, cop and criminal’s lives become more intertwined and the investigation becomes an examination of Murakami’s own dark side. Starring Toshiro Mifune as the rookie cop and Takashi Shimura as the seasoned detective who keeps him on the right side of the law, Stray Dog goes beyond crime thriller, probing the squalid world of postwar Japan and the nature of the criminal mind

These screenings are part of 'Lou Ye: Chaotic Desires', a special presentation dedicated to one of China’s great contemporary auteurs, and featuring a collection of Lou's key works across two decades, alongside the release of his new title An Unfinished Film.

China, 1989. Two young lovers play out their complex, erotic, love/hate relationship against a Chinese volatile backdrop of political unrest. Beautiful Yu Hong leaves her village, her family and her boyfriend to study in Beijing, where she discovers a world of intense sexual and emotional experimentation, and falls madly in love with fellow student Zhou Wei. Their relationship becomes one of dangerous games, as all around them, their fellow students begin to demonstrate, demanding democracy and freedom.

4K restoration. These screenings are part of 'Lou Ye: Chaotic Desires', a special presentation by the Chinese Cinema Project dedicated to one of China’s great contemporary auteurs, and featuring a collection of Lou's key works across two decades, alongside the release of his new title An Unfinished Film.

The feature will be preceded by the short film In Shanghai (2001, 17 mins), a personal portrait of Lou Ye's hometown, and the setting of Suzhou River.

On the banks of the Suzhou River, which winds precariously through Shanghai, Marda falls in love with a beautiful young woman named Moudan. When he tries to kidnap her in order to demand ransom money from her rich father, she escapes, jumping in to the river and disappearing forever. Marda serves a three-year jail sentence for his attempted crime. Upon his release, he meets a woman that looks exactly like Moudan, named MeiMei.

Join us for the Table of the Elements relaunch party at The Garden Cinema, Covent Garden, highlighted by a screening of the feature documentary Tony Conrad: Completely in the Present. The gathering inaugurates an ambitious pre-order and membership drive to support the 2025 season of new projects. This is the first in a month-long, worldwide series of activities, uniting Table of the Elements’ global community through concerts, exhibitions, pop-ups, listening parties, and special collaborations across key cities.

Table of the Elements is a curatorial platform, interdisciplinary production organization, live-event presenter, and fine-arts print, audio, and film publisher, lauded by Pitchfork Media as “a national treasure.” Since its origin as a record label in 1993, TotE has been dedicated to preserving, promoting, and promulgating works by international creators of experimental audio, avant-performance, and modern composition. The label’s 150-plus releases are a vital contemporary chronicle, a survey of meaningful eruptions across a broad horizon of sound and vision.  Each project demonstrates how a publishing concern might romp wild, unbridled from the carousel of convention.

Relaunch Party No. 1 schedule:

18:30  Doors open

19:00  Screening of Tony Conrad: Completely in the Present + Q&A

21:00  Party with special guests & DJ sets TBC

Tony Conrad: Completely in the Present is a nonfiction film that examines the pioneering life and works of filmmaker, musician, artist, and educator Tony Conrad. Utilizing intimate footage of Tony and his collaborators shot over the last twenty-two years and his own archive of recordings and films, Tony Conrad: Completely in the Present mirrors Conrad’s playfully radical approach to art making. The non-linear structure allows Conrad to wildly free-associate his streams of consciousness, revealing an honest and humane way of navigating a remarkable, creative life.

Join us for the ultimate Sunday hang-out: a slow-drifting, sun-bleached escape into fading Americana and hippie existentialism, with a UK premiere of the restoration of legendary documentary, Tarpon. This will be preceded by two episodes of the cult TV show, Fishing with John. Both screenings will be introduced by actor and filmmaker Tim Plester and Ryan Bellett, programmer of Video Bazaar.

Tarpon

For decades, the unreleased documentary Tarpon remained somewhat of a myth. Some were lucky to get a bootlegged copy, but for most, the film was urban legend. With appearances by authors Richard Brautigan, Thomas McGuane, and Jim Harrison, the film was born from a 1972 visit to the Florida Keys by French filmmaker, Christian Odasso. Enraptured by the aesthetics and ethics of catch-and-release tarpon fishing, Odasso paired with his brother-in-law, Guy de la Valdene, to co-direct this film about fishing, fishermen, authors, and nature lovers. The film was shot in the cinéma verité style on Kodak 16mm Ektachrome, Jimmy Buffet composed the original music and Jim Harrison narrated his own text. The film reveals some of the only extant video footage of Richard Brautigan, the cult 60s poet and novelist, and also follows several important fishing guides - Gil Drake, Steve Huff, and Woody Sexton - pioneers and legends of a bygone era of Florida fishing.

Fishing with John - Episodes 5 & 6

What happens when you drop John Lurie and Dennis Hopper in a tropical lagoon and hand them fishing rods? Nothing much, and everything. These two surreal, meandering episodes from Lurie's cult '90s show are the perfect dreamlike companion to Tarpon. Lurie and Hopper search for the mythical and elusive giant squid in Thailand, which also is apparently hunting them and hypnotises John and Dennis with its 'volleyball' sized eye. Narrated with absurd gravitas, filled with long silences and existential tangents, it’s fishing as performance art, as therapy, as existential riddle.

Come for the fish. Stay for the vibes. Nurse your hangover, dodge your inbox, and sink into the long, warm tide of cinematic splendour.

16:00 - Intro by Video Bazaar

16:10 - Fishing with John Episodes 5&6

17:00 - Intermission

17:10 - Intro by Tim Plester

17:20 - Tarpon

Paul Verhoeven's last film produced in the Netherlands before he created his Hollywood classics Robocop and Total Recall, invites us into the twisted psyche of Gerard Reve, a troubled writer whose life becomes entangled with mysterious women, murder, and the supernatural. As Reve spirals into a world of erotic desire and deceit, he must navigate the blurred lines between reality and fantasy to uncover the truth. Indulge your senses, challenge your perceptions, and join us for The 4th Man.

Wim Wenders pays loving homage to rough-and-tumble Hollywood film noir with The American Friend, a loose adaptation of Patricia Highsmith’s novel Ripley’s Game. Dennis Hopper oozes quirky menace as an amoral American art dealer who entangles a terminally ill German everyman, played by Bruno Ganz, in a seedy criminal underworld as revenge for a personal slight - but when the two become embroiled in an ever-deepening murder plot, they form an unlikely bond. Filmed on location in Hamburg and Paris, with some scenes shot in grimy, late-seventies New York City, Wenders’s international breakout is a stripped-down crime story that mixes West German and American film flavors, and it features cameos by filmmakers Jean Eustache, Samuel Fuller, and Nicholas Ray.

Alfredo Gasper, a dissatisfied Buenos Aires newspaperman (Carlos Cores), partners with Paar Liudas, a clever Hungarian refugee (Vassili Lambrinos) who needs money to bring his family to Argentina. Together they create a bogus correspondence school, exploiting the hopes of would-be journalists. As their scheme succeeds beyond their wildest dreams, a mystery woman from Liudas’ past sparks Gasper’s suspicion: his charming colleague may be playing him for a sucker. Soon Gasper finds himself plotting the perfect crime - but fate has many twists in store.

This adaptation of journalist Adolfo Jasca’s award-winning novel was acclaimed upon its release, earning top prizes in 1957 from the Argentine Film Critics Association for Best Picture, with Fernando Ayala named Best Director. American Cinematographer magazine listed Los tallos amargos #49 on its roster of the 100 Best Photographed Films of All-Time.

Our screening on Thursday 26 June will be introduced by Jinhee Choi (KCL).

An eerie, foreboding hospital is the setting for this tense psychological thriller from one of the most acclaimed genre filmmakers of the South Korea Golden Age. An ambitious doctor, set to wed the hospital owner’s daughter, has designs on being chief surgeon. However, when his affair with one of the nurses puts those plans in jeopardy, he takes diabolical steps to ensure his plans aren’t thwarted. Kim Jin-gyu turns in an uncharacteristically menacing performance, while Moon Jeong-sook shines as the nurse who will not be silenced.

This screening of The Duke of Burgundy marks the release of Ryan Gilbey's new book, It Used to be Witches: Under the Spell of Queer Cinema. Ryan will be in conversation with director Peter Strickland following the film, and copies of his book will be available to purchase before and after the screening.

Two entomologists (Sidse Babett Knudsen, Chiara D'Anna) play ritual games of dominance and subservience. Day in and day out, lovers Cynthia and Evelyn enact an elaborate sadomasochistic fantasy as mistress and maid. But as their ritual of domination and submission begins to turn stale, Cynthia yearns for something more conventional, while Evelyn tries to push their taboos even further.

The Fisherman and the Banker is a modern-day David and Goliath tale, chronicling a fishing community in India’s Gulf of Kutch as they take on the World Bank’s private lending arm, the International Finance Corporation (IFC), for funding a coal-fired power plant that threatens their way of life. Filmed over a decade, the documentary captures the fishermen’s fight against industrial encroachment and their alliance with US lawyers to file a groundbreaking lawsuit, which reaches the US Supreme Court in 2018. With a poetic and observational lens, the film explores their legal battle and profound bond with the environment, posing a powerful question: can the resilience of a community rewrite the rules of global power—or will the might of corporations and institutions crush their fight for justice?

“Compelling…witnesses an astonishing fight for justice against all odds”

– The Guardian

“Moving and necessary. A David and Goliath story for an age that desperately needs such stories, on our screens and in our hearts, to revive hope that justice is not doomed in the face of finance “

– Yanis Varoufakis

The film was nominated for best feature film at the Big Sky Documentary Film Festival.

The screening will be followed by a Q&A with director Sheena Sumaria.

Sheena Sumaria, a British-Gujarati documentary filmmaker, transitioned from a career in international development to filmmaking. With degrees in Economics and Development Studies from Cambridge and SOAS, her passion for social justice drives her work. She began with “Still Standing,” highlighting life in Medellin’s slums, followed by films on the Chilean student uprising and the 2002 Gujarat pogrom. Her short films address various social issues, including Brexit and homelessness.

While trying to lead a quiet suburban life, a family of undercover superheroes are thrown back into the world of super-heroism when Mr Incredible receives a mysterious communication summoning him to a remote island for a top-secret mission.

On Sunday mornings our Family Screenings are followed by a free activity for Children.

The screening is Pay What You Can, which means you’re free to pay as much or as little as you can afford. By paying for a ticket, you will enable us to keep offering Pay What You Can screenings to families struggling with the cost of living. Thank you.

In a bid to secure his family’s legacy, an international tycoon brings his nun-daughter into his most daring scheme yet in this tale of espionage and intrigue from legendary filmmaker Wes Anderson.

The Garden Cinema View:

With pastel colours, deadpan humour, and an all-star cast playing it with typical emotional detachment, The Phoenician Scheme feels like Anderson has (once again) made a pastiche of Wes Anderson. Unlike Asteroid City though, Anderson's latest offering makes no pretence of exploring profound philosophical themes. Instead, he uses the redemption story of business tycoon Zsa-zsa Korda (played with deadpan gusto by Benicio Del Toro) as an excuse to unleash his remarkable comedic instincts and showcase his artistic prowess.

Featuring cartoonish airplanes drifting alongside puffy clouds, harmless crashes, and grenades that never detonate, the film evokes the aesthetics of animation more than any of his previous works. With a parade of cameo appearances (Bryan Cranston, Tom Hanks, Benedict Cumberbatch, Scarlett Johansson) dressed in outrageously funny costumes and delivering absurd lines with impeccable timing, together with finely tuned, sharp camera movements, the film provides a highly entertaining viewing experience.

There are seeds of larger concepts such as corruption, hubris, and redemption, but Anderson doesn't seem eager to develop these ideas further. Nevertheless, the level of craftsmanship is exceptionally high, and it's clear that Anderson had a blast making it!

Erika Kohut teaches piano at the Conservatory in Vienna. In her early forties, she lives at home, cooped up with her mother, whose influence Erika escapes only on her regular visits to porn cinemas and peepshows. Her sexuality is an affair of morbid voyeurism and masochistic self-mutilation. Erika and life travel separate paths. Until one day, one of her students gets it into his head to seduce her...

This UK premiere of the director's cut of The Shadow Play is presented in a double bill with Ma Yingli’s Behind the Dream: A Documentary on The Shadow Play on Saturday 14 June. Both screenings are part of 'Lou Ye: Chaotic Desires', a special presentation by the Chinese Cinema Project dedicated to one of China’s great contemporary auteurs, and featuring a collection of Lou's key works across two decades, alongside the release of his new title An Unfinished Film.

Yang Jiadong, a naive rookie cop, witnesses the death of a controversial real estate tycoon. He immediately begins investigation, but is brutally dismissed from his job and pursued by unknown enemies. Escaping to Hong Kong, he encounters the daughter of the deceased victim. With her help, he continues his search for answers, but finds himself falling into a trap of love.

Karsh, a creative entrepreneur who lost his spouse, develops a machine designed to communicate with deceased individuals.

The Garden Cinema View:

You'll likely know within a few minutes whether The Shrouds is to your taste. That is to say whether you can tune into Cronenberg's peculiar register of tone and dialogue that evokes both J.G. Ballard and Don DeLillo (two authors that Cronenberg has adapted brilliantly). This is a painfully autobiographical work for Cronenberg, who lost his wife in 2017. His onscreen avatar is an elegant Vincent Cassel, bearing a rather uncanny physical resemblance to the legendary director.

This is certainly a mournful and moving film, but also contains a subversive strain of humour, and a peculiar eroticism (Ballard smiles in his grave). As The Shrouds shifts into a twisty mediation on conspiracy theories (DeLillo nods approvingly), the narrative threatens to collapse. But, perhaps the nature of conspiracy itself means the core of this intelligent, yet corporeal film, inevitably remains something of a mystery.

This special screening of Lee Hae-young's queer horror film The Silenced, in partnership with the Korean Cultural Centre UK, marks the upcoming paperback publication of Jinhee Choi's Forever Girls: Necro-Cinematics and South Korean Girlhood. Jinhee will introduce the screening, which will be followed by a drinks reception in The Atrium Bar, kindly sponsored by King's College London.

About the film:

Sickly Ju-ran transfers to a new sanitorium boarding school to improve her health. When she discovers that students are disappearing and notices abnormal changes happening to her body she tries uncover the conspiracy.

This screening will be followed by an in-person Q&A with director Adam Wong.

A soul-searching story about three friends, Wolf, Alan and Sophie, who have different conditions of deafness. When Sophie graduates from the university and starts a new job, she realises she has been struggling to be seen as normal. Tensions grow between the three friends as they find themselves conflicting over how best to communicate with the world while remaining true to themselves.

As part of this year’s festival, SAFAR is running a 5-day intensive workshop which invites participants to creatively explore the legacy of Arab film stars through the creation of video essays. Led by Cairo-based artist Bahia Shehab in collaboration with scholars Dr Stefanie Van de Peer and Dr Kaya Davies Hayon, the workshop is inspired by their newly published book, Transnational Arab Stardom.

Artists and creatives selected to participate in the residency will engage with archival materials, develop their editing skills, and produce short films that respond to the careers and representations of iconic figures such as Umm Kulthum, Omar Sharif, and Asmahan. This event, open to all, will be a showcase of the results of the residency as well as a broader conversation about Arab stardom with Bahia, Stefanie and Kaya.

Tickets are £5 and include a free tea or coffee.

With support from the SOAS Practice Research Network.

Want to participate in the workshop? Find out more here and apply by Friday 23rd May, 3PM

A treasure of Mexico’s cinematic golden age, this deliriously plotted blend of gritty crime film, heart-tugging maternal melodrama, and mambo musical is a dazzling showcase for iconic star Ninón Sevilla. She brings fierce charisma and fiery strength to her role as a rumbera - a female nightclub dancer - who gives up everything to raise an abandoned boy, whom she must protect from his ruthless gangster father. Directed at a dizzying pace by filmmaking titan Emilio Fernández, and shot in stylish chiaroscuro by renowned cinematographer Gabriel Figueroa amid smoky dance halls and atmospherically seedy underworld haunts, Victims of Sin is a ferociously entertaining female-powered noir pulsing with the intoxicating rhythms of some of Latin America’s most legendary musical stars.

Aicha lives a quiet, secluded life with her husband, Brahim, and her youngest son, Adam, in a remote village in northern Tunisia. Gifted with prophetic dreams, Aicha and her family live in anguish after the departure of their eldest sons Mehdi and Amine to the violent embrace of war. When Mehdi unexpectedly returns home with a mysterious pregnant wife, Reem, his return also triggers strange events and old wounds in the village, creating a darkness that threatens to consume them all.

Caught between maternal love and her search for the truth, Aïcha welcomes Mehdi and Reem into the family home and vows to protect them at all costs, despite the suspicions of her husband Brahim. Aicha is forced to balance her overwhelming maternal love with her pursuit of the truth behind Mehdi’s experiences, and the painful revelations that challenge her deepest beliefs.

Academy Award-nominated director Meryam Joobeur skilfully utilises magic realism to create a stunning dream-like world and pose serious questions on family, war, and the destructive impact of extremist rhetoric on familial relationships.

Who Do I Belong To is screening as part of SAFAR’s GHOSTS strand, curated by Saeed Taji Farouky.

After the screening, join Saeed in a tea ceremony which sits at the heart of this selection of films.

The ghosts of Palestine represent both the trauma of the past, and simultaneously a continuity of Palestinian culture and inherited strategies of liberation. Our relationship with wild plants and flowers encapsulates these parallel struggles. Following the screening of Who Do I Belong To, anticolonial artist and performer Gamze Şanlı will lead participants through a tea-making workshop with wild plants and flowers, in which the political and folkloric traditions of the plants will be shared.

TIMINGS

18:10 Intro

18:20 Who Do I Belong To (117 min)

20:20 End

20:30- 22:00 Tea Ceremony

In this trailblazing combination of animation and live-action, down-on-his-luck private eye Eddie Valiant gets hired to investigate a pattycake scandal involving Jessica Rabbit, the sultry wife of Toontown superstar, Roger Rabbit.Virtually every major cartoon character shows up in this wonderful Oscar-winning classic.

Recommended for ages 9+

On Sunday mornings our Family Screenings are followed by a free activity for Children.

The screening is Pay What You Can, which means you’re free to pay as much or as little as you can afford. By paying for a ticket, you will enable us to keep offering Pay What You Can screenings to families struggling with the cost of living. Thank you

Please note, screenings taking place in our new Screen 3 will not yet have step-free access whilst we wait for our platform lift to be installed.